![nifty gay male wormhole nifty gay male wormhole](https://file770.com/wp-content/uploads/Keffals-poster-576x1024.png)
For a while, I did some set design and I thought architecture was a thing for me, but eventually it became pretty clear that I really wanted to study art. The medium itself wasn’t so much interesting to me anymore, so I just got away from it. Photography is nice because it shows you what you’re interested in. I started doing photography for a little while. It’s just inevitable really to be around it, but it was important for me to leave.ĭid you want to do anything other than art growing up? There’s a lot of resources for the arts in the Rheinland. My dad is an artist and architect, so it’s in the family. The opening hours are Monday through Saturday, from 11 AM to 6 PM. The gallery is located on Linienstrasse 23, 10178 Berlin. “Othering” is on view from 29 April through 25 June 2022.
![nifty gay male wormhole nifty gay male wormhole](https://i0.wp.com/www.chrisgoja.com/wp-content/uploads/2022/03/dc1305e0-62c4-409f-aff0-2166b234591b-8899-0000055067b9e899_file.jpg)
For Wendelin, the same ethos from “Othering” applies: “Without the other, there is no self.” His practice is intrinsically tied to the world, and people, around him.Īs Wendelin spent some time in Berlin to oversee exhibitions at both FRAGILE and Dittrich & Schlechtriem, we caught up with the artist to discuss the importance of collaboration, the stark differences between the US and German art scenes, and the pre-internet and pre-Chernobyl food and drinks that formed the basis for his first-ever curated show. It also showcases Wendelin’s strength as a curator - a result of years spent running community-focused art spaces, including NAVEL in Los Angeles and FRAGILE in Berlin. It’s a sprawling exhibition that signals an enticing and more experimental direction for the gallery that was founded by Lars Dittrich and André Schlechtriem in 2011.
![nifty gay male wormhole nifty gay male wormhole](https://img.yumpu.com/7601589/1/500x640/newsletter-22-06-laser-hotline.jpg)
Meanwhile, in one corner on the lower floor, 49 screens stacked high display found underwater footage (Julian Charrière’s “The Gods Must Be Crazy”), while two otherworldly ceramic sculptures glow with faint light like a strange new species dredged up from deep under the ocean waves (Wendelin’s “Involution I and II”). Situated at the entrance, a massive 206 x 206 cm video screen adorned to a stripped-down wooden frame displays serene, shifting landscapes digitally created by an artificial intelligence algorithm (Andreas Greiner’s “Traum (vom Walde)”).
#Nifty gay male wormhole full#
Now staged at Dittrich & Schlechtriem with some new works, the exhibition is a full sensory experience filled with art that spans media. Under his careful curation, the Düsseldorf-born artist pieced together the gallery’s new group show, aptly titled “Othering”, which features works by Yalda Afsah, Julian Charrière, Albrecht Dürer, Francisco de Goya, Andreas Greiner, Jenna Sutela, Analisa Teachworth, Jol Thoms, Sung Tieu, and Wendelin himself.įocused around the exploration of “how certain lives - human and nonhuman - are designated as alien”, a version of the group show first debuted in the industrial halls of Areal Böhler for Art Düsseldorf, before making its way back to Berlin for its Gallery Weekend debut.
![nifty gay male wormhole nifty gay male wormhole](https://i.ytimg.com/vi/0A1ouV7iD8o/maxresdefault.jpg)
It’s this sentence, written by Nicholas Korody, that forms the glue holding together the new exhibition at Berlin-based gallery Dittrich & Schlechtriem, yet it could also apply to Jonas Wendelin.